9/18/2019 Mouse On The Track Drum Kit Free
GarageBand is a pretty easy DAW to grok, but beneath its user-friendly surface lies a surprisingly amount of functionality. If you want to take your GarageBand know-how to the next level, read on. Master of groove GarageBand can help with iffy timing. Choose Track Configure Track Header (or hit Alt+T and tick the Groove Track box), mouse over the left edge of your drum track and click the yellow star to make it the ‘groove master’.
All other tracks now have checkboxes in their headers - tick the dodgy ones and they should now follow the timing of the drums more closely. A different Drummer Made available with GarageBand 10.2, Drummer Loops are essentially Drummer performances captured as Apple Loops and stored in the loop library.
The advantage is that you can flick through the parts with your project running and only drag in the ones you like, after which they can be edited in the Drummer Editor, just like regular Drummer regions. Secret sampling GarageBand’s 'hidden' sampler, AUSampler, lets you drag and drop audio files into it to build new instruments. Create a Software Instrument track and click the Smart Controls button, then open the Plug-ins pane to the left of the control panel.
You’ll find AUSampler (which can also load EXS24 files) in the popup plugin menu. Remote control If you have an iOS device, you can use Apple’s free Logic Remote iOS app to control GarageBand remotely. You can navigate and mix projects, record new tracks and even play software instruments from an iPhone or iPad connected to the same network as your computer.
The Download Logic Remote option in the GarageBand menu will take you to the app’s iTunes Store page. Master blaster When mixing, you can display the Master track in the main window to add effects and automation to the master stereo bus. Select the Show Master Track option in the Track menu, and access the plugin slots by clicking the Output tab in the Smart Controls pane. The automation lanes for all tracks can be revealed by pressing the A key.
Pitch perfect If you find yourself restricted to a particular key because you only have one version of a particular Apple loop, select Show Transposition Track from the Track menu and you can transpose whole sections of your project by plotting points on a curve. This affects Software Instrument tracks, pitched Apple Loops and audio tracks with the Follow Tempo and Pitch box checked. Auto-arranging Drummer GarageBand’s Arrangement Track is useful for trying out new layouts of existing projects (reveal it by selecting Show Arrangement Track from the Track menu), but if you set up an array of arrangement markers at the start of a project, then add a Drummer Track, the Drummer Track will automatically populate your arrangement with different regions for each section. Get help The Quick Help button, represented by a question mark in the top left corner of the transport bar, enables GarageBand’s ‘self-help’ mode, offering yellow text boxes that explain the function of the object currently under the mouse pointer.
If you hover over the Quick Help button itself when enabled, a set of tips for the app’s main working areas are displayed. Production on the go If you start a project on GarageBand for iOS, you can use the app’s Smart Touch instruments to quickly get down some ideas on the move, then import the song into GarageBand for OS X via the File iCloud menu. This is a one-way deal, though - songs won’t go from Mac to iOS, because the Mac app has capabilities that just aren’t possible yet on an iPad or iPhone. Capture the whole band With a multichannel audio interface connected, you can record audio onto multiple tracks simultaneously.
With the Smart Controls panel open, click the header of each track and select an input channel for it in the Recording Settings panel. Then press Alt+T to configure the track headers, check the Record Enable checkbox, enable each track and hit Record! Beyond Musical Typing It may have been intended as a way to enter musical notes without a MIDI keyboard in sight, but Musical Typing has another trick up its sleeve that will have you tapping out sophisticated beats Step 1: GarageBand’s Musical Typing keyboard - summoned either from the Window menu or using the Cmd+K keyboard shortcut - can be used to quickly assign audio samples to keys on your MIDI keyboard.
Start by locating the samples you want to assign in Finder. Step 2: On a Software Instrument track, open the Library pane and browse to Legacy/GarageBand/Sound Effects/Radio Sounds. Look closely and you’ll see a small icon on each virtual key of the Musical Typing keyboard. Click the Details triangle to reveal the names of the audio files already assigned to them. Step 3: Adjust the octave range to display some empty slots, then drag the samples over one at a time and drop them onto the keys you want to trigger them with. The name should appear in the table if you’ve been successful, and the sound should now be assigned to that key. Pure percussion GarageBand for OS X is an incredibly powerful music-making tool.
The latest update - version 10.2 - brings three new percussion players to the Drummer track menu, opening up a plethora of professionally-played percussion grooves with which to enhance your rhythm tracks. The Drummer interface has been slightly redesigned, so you’ll find the new players in the Library pane to the left. Colour shift GarageBand’s colour-coding of regions is based on the type of material they contain. MIDI regions are green, Drummer regions are yellow, recorded audio regions are blue, and imported audio regions are brown. But here’s a nifty trick: pressing Ctrl+Alt+G converts all brown regions to blue ones, enabling you to adjust their tuning and timing via the Follow Tempo and Pitch feature. Loud and proud Make sure your mixes are loud enough to compete with commercial tracks by checking the Auto Normalize checkbox (Preferences Advanced Auto Normalize).
This will ensure that your projects are exported at full loudness when you mix them down. A range of export options are available from the Share menu, including sharing to Soundcloud, iTunes or bouncing to disc or CD. Smart enough The Smart Controls panel provides quick and easy-to-navigate access to the parameters of the currently selected instrument or plugin that you’re most likely to need. The layout depends on the kind of instrument or effect you have loaded up, and you can use the buttons at at the top of the panel to switch between the Smart Controls and the Channel EQ. DIY Apple Loops GarageBand ships with loads of Apple Loops, but making your own is simplicity itself. Just record a part that you think would make a good loop, trim it to the right length and give it a suitable name.
Then select File Add Region to Loop Library. Your loop will then be accessible via the Loop Browser within any other project, and will follow the tempo like any other Apple Loop. Template tectonics Using the factory templates to start a project can save a lot of set-up time. However, you could get going even faster when inspiration strikes by creating your own customised project templates. Set up your template, save it and drag it into the dock, then click to launch it. Tuning up GarageBand features a built-in tuner, accessed via the button to the right of the LCD display in the transport bar.
This examines the incoming audio signal, whether it’s from a connected mic or guitar input, and displays its pitch on a circular readout, so you can use it to check whether your instrument is in tune before you record it. Coy arp For Software Instrument tracks, the top-right corner of the Smart Controls panel houses a button that looks a bit like the flying saucer from Space Invaders. Click this to enable a hidden, preset-based arpeggiator. A generous library of presets is accessed via an adjacent popup menu, from which you can also edit note order, rate and octave range. Amps and pedals GarageBand’s selection of virtual pedals and amps can liven up any sound in your project.
Here’s how Step 1: Stompboxes and cabinet models can transform any track. Here we have a Rhodes electric piano part, programmed in MIDI, that could do with spicing up a bit. Let’s start by adding a Pedalboard.
Select the track header, then open the Smart Controls pane. Step 2: Click the Track button in the top-left corner of the panel, then click an empty slot in the plugin rack and select Pedalboard from the Amps and Pedals section of the Plug-in menu. Load a preset combination of pedals. We’re using Boutique Grit here. Step 3: In the next slot, insert an Amp Designer to make it sound like we’re sending the sound out through an amplifier and miking up the cab. You can choose preset combos, swap amps and cabs around, change mics, and even adjust the mic position to vary the sound.
Are you a singer/songwriter who needs quality drum sounds in your songs but doesn’t have access to a drum kit? Welcome to my life! And have no fear – today I’m going to show you 3 easy ways you can get pro sounding drums into your session. I’ve used these methods to produce real projects and they’ve all turned out great. Looking for some free drum sounds to get started? Here are some places to get FREE drum loops that you can import into your software:. (What I use in the video).
(User submitted loops). (They have a free sample pack).
Graham, Great video. Surprised you didn’t show how you can just mouse click in the midi piano roll to add drums. I actually write a “real basic” drum track for every recording as my “click” and copy and paste it so I have a “beat” for 5 minutes or so (I do this even if my music doesn’t have drums!! I hate playing to the sound of a metronome or the click in the DAW). After I have put down guitar or piano or bass tracks I will go through the “basic drum beat click track” and customize it so it truly anchors the song.
I usually re-record the basic tracks now that I have a “finished” drum part that is specific to my song because it effects the “feel” of the playing. I usually humanize the midi kit as well, adjusting velocities and making sure all the hits do not line up with the grid precisely but feels right. Lots of ways to do it!
Thanks again, Josh. Cool, Graham–thanks as always for the great tips.
I’ve used all of these methods, but the one I prefer is not on your list. It takes more time, but I’ve been really happy with the results. I use “one shots” to build my tracks. A one shot would be a single snare hit, kick hit, and so on. I usually use the “Drums From the Big Room” package from Sony (no longer available through Sony), but most of the old Loops for ACID drum collections have one shots. I quickly assemble a measure or two of the basic beat, copy/paste it for the length of my song, and then go through and create fills.
It does take some time, but I’m happier with the results when I’m finished because you can create very natural-sounding fills. Another excellent video! Graham you always seem to post content that is directly useful for my next phases of my recording projects! My Daw is Repear, which does not have its own drum machine instrument. I’ve experimented with Repears sampling plugin, manually mapping drum sounds to midi notes, but it’s a faff.
What free drum plugins would anyone recommend? I mainly compose my drum parts on my groove box, the Novation Circuit, and have then recorded the audio directly in, but I’m now looking for more control over the patterns with midi. I’m considering using my free copy of Abelton Live Lite simply as a midi drum machine. Any suggestions and recommendations would be appreciated! Logic Pro X’s Drummer program is ridiculously cool. Ive been using it more and more on demos lately just because its so intuitive, and I can get a vibe going really quick with it. Depending on the style of music for the song, it can sound better than trying to write a beat or using loops.
You can also go back and forth between midi/drummer regions and edit further, which Graham has covered before. The drums sounds in X are also very good, and often times I’ll run some kind of drum loop behind the drums using Logic’s Ultrabeat program, either to stack some parts or to hype the chorus. I was a Pro Tools engineer for 11 years before switching to Logic 7 ten+ years ago, and X’s drummer is definitely a force to be reckoned with. I don’t know how they do it, but those little vector based rendered images are another great tool for producing music. Compared to the steep learning curve associated with other apps and programs, Drummer is a no brainer for live sounding drums, and its also available in GarageBand. Any Drummer track can easily be converted to midi and used to trigger any other drum kit or samples. I’ve also been experimenting lately with a simpler method for adding parallel drum compression to the stereo mixed drum track.
So instead of using a multi-output drum setting with each drum kit element on its own track, then routing/busing each drum element to an auxiliary track and inserting a compressor on that channel, I’m just putting a stock compressor at the end of the signal chain on the stereo dum track and parallel compressing on the stereo drum track. This has been so easy to do, and being that you can control the percentage and mix amount of the compression being used, you can use it for just a little bump in the mix or some serious squashing. Use your ears and not your eyes when applying this method. When I’m tracking drums with a real drummer, they sit down to an electronic kit and I pull up any one of the great kits in Superior Drummer 3, which is a game changing program in its own right, as is EZ Drummer. But even without an electronic kit and live drummer, SD3 and EZ Drummer make it possible to get up and going quickly with lots of editing flexibility. SD3 comes with a huge amount of searchable grooves and a staggering amount of drums and effects. Back in the analog days, miking drums took a long time, and it was quite a task to get a single good sound on every element of the kit.
There was a lot of work involved before you were able to start recording. Now some engineers are all about this process, but I’m one of them, I just want to get to the making music part. So being able to plug in an entire drum kit via a USB cable is just cool beyond words. Also being able to manipulate drums parts and sounds allows for so much flexibility, something we just couldn’t do 20 years ago. Although some of these drum programs might sound better or be easier to use than others, all of them are highly useable tools to get drum parts up and going, making it easier than ever to make music.
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